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    <title>we make money not art</title>
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    <id>tag:,2009-01-26:/2</id>
    <updated>2013-05-23T17:05:57Z</updated>
    
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<feedburner:info uri="wmmna" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><logo>http://creativecommons.org/images/public/somerights20.gif</logo><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.we-make-money-not-art.com/wmmna" /><feedburner:emailServiceId>wmmna</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><feedburner:browserFriendly>This is an XML content feed. It is intended to be viewed in a newsreader or syndicated to another site, subject to copyright and fair use.</feedburner:browserFriendly><entry>
    <title>The Fish Bone Chapel</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/QIuzU3goMmM/the-fish-bone-chapel.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11143</id>

    <published>2013-05-23T16:14:48Z</published>
    <updated>2013-05-23T17:05:57Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="architecture" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="biotech art" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-fish-bone-chapel.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0a0afhibsoneschap-640.jpg"
width="640"
height="311"
alt="36k"
title="The Fish Bone Chapel"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;An interview with Haseeb Ahmed, one of the winners bio-art contest DA4GA, about his project to erect a hybrid building made of the bones of fish altered after exposition to toxins. Can mutation be generative of new forms instead of considered to be simply dangerous? &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-fish-bone-chapel.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=QIuzU3goMmM:tLB99XSLv-0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=QIuzU3goMmM:tLB99XSLv-0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=QIuzU3goMmM:tLB99XSLv-0:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=QIuzU3goMmM:tLB99XSLv-0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=QIuzU3goMmM:tLB99XSLv-0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=QIuzU3goMmM:tLB99XSLv-0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=QIuzU3goMmM:tLB99XSLv-0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=QIuzU3goMmM:tLB99XSLv-0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/QIuzU3goMmM" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/the-fish-bone-chapel.php</feedburner:origLink></entry>

<entry>
    <title>#A.I.L - artists in laboratories, episode 31: Helen Pynor</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/JriiL9Zx6y0/ail-artists-in-laboratories-ep-25.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11152</id>

    <published>2013-05-22T08:39:02Z</published>
    <updated>2013-05-23T17:02:11Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="bio" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="bioart" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="biotech art" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="body" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="photography" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-25.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0aaa9_Headache_detail-640.jpg"
width="640"
height="730"
alt="76k"
title="#A.I.L - artists in laboratories, episode 31: Helen Pynor"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;During the show we will be talking about how she managed to get her hands on a fresh human brain but Helen will also discuss some of her broader projects such as The Body Is A Big Place, a large-scale installation that explores organ transplantation and the thresholds between life and death &lt;a href="http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-25.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=JriiL9Zx6y0:C6-b1Zc3yzI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=JriiL9Zx6y0:C6-b1Zc3yzI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=JriiL9Zx6y0:C6-b1Zc3yzI:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=JriiL9Zx6y0:C6-b1Zc3yzI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=JriiL9Zx6y0:C6-b1Zc3yzI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=JriiL9Zx6y0:C6-b1Zc3yzI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=JriiL9Zx6y0:C6-b1Zc3yzI:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=JriiL9Zx6y0:C6-b1Zc3yzI:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/JriiL9Zx6y0" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-25.php</feedburner:origLink></entry>

<entry>
    <title>Under the Shadow of the Drone</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/O4vur65sbpQ/under-the-shadow-of-the-drone.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11150</id>

    <published>2013-05-20T17:41:54Z</published>
    <updated>2013-05-22T08:45:29Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="politics" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="privacy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="robots" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="sousveillance" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/under-the-shadow-of-the-drone.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0a8unde920d91_z-640.jpg"
width="640"
height="961"
alt="196k"
title="Under the Shadow of the Drone"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Under the Shadow of the Drone is a life-size depiction of a Reaper drone, one of a number of such weapons in service with US and UK forces. The Reaper is used for surveillance and bombing missions, in the declared war zones of Afghanistan and Iraq, and in the illegal wars of assassination taking place in Pakistan, Yemen and elsewhere. Such wars are made possible by the invisibility of drones to most people  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/under-the-shadow-of-the-drone.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=O4vur65sbpQ:6V-a5TFcbLk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=O4vur65sbpQ:6V-a5TFcbLk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=O4vur65sbpQ:6V-a5TFcbLk:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=O4vur65sbpQ:6V-a5TFcbLk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=O4vur65sbpQ:6V-a5TFcbLk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=O4vur65sbpQ:6V-a5TFcbLk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=O4vur65sbpQ:6V-a5TFcbLk:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=O4vur65sbpQ:6V-a5TFcbLk:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/O4vur65sbpQ" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/under-the-shadow-of-the-drone.php</feedburner:origLink></entry>

<entry>
    <title>The Pirate Cinema, A Cinematic Collage Generated by P2P Users</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/WyxJE3PmkrQ/the-pirate-cinema.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11149</id>

    <published>2013-05-18T16:40:23Z</published>
    <updated>2013-05-20T17:49:47Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="privacy" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="software" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="trends" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-pirate-cinema.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0P2P-2VLC_04-640.jpg"
width="640"
height="722"
alt="46k"
title="The Pirate Cinema, A Cinematic Collage Generated by P2P Users"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;In the context of omnipresent telecommunications surveillance, "The Pirate Cinema" makes visible the invisible activity and geography of peer-to-peer file sharing. The project is presented as a control room that reflects P2P exchanges happening in real time on networks using BitTorrent protocol. The installation produces an improvised and syncopated arrangement of files currently in exchange &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-pirate-cinema.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WyxJE3PmkrQ:ySdb6FSET94:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WyxJE3PmkrQ:ySdb6FSET94:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WyxJE3PmkrQ:ySdb6FSET94:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WyxJE3PmkrQ:ySdb6FSET94:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=WyxJE3PmkrQ:ySdb6FSET94:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WyxJE3PmkrQ:ySdb6FSET94:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WyxJE3PmkrQ:ySdb6FSET94:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=WyxJE3PmkrQ:ySdb6FSET94:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/WyxJE3PmkrQ" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/the-pirate-cinema.php</feedburner:origLink></entry>

<entry>
    <title>The Air Itself is One Vast Library</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/CEIIMgT8H6U/the-air-itself-is-one-vast-lib.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11144</id>

    <published>2013-05-16T14:31:01Z</published>
    <updated>2013-05-18T17:19:49Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="photography" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="sousveillance" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-air-itself-is-one-vast-lib.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/trois2010_11_Missile-Portrait-3-640.jpg"
width="640"
height="853"
alt="43k"
title="The Air Itself is One Vast Library"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;One of the projects that you can see right now in Brighton is a body of work, by Mariele Neudecker, that makes visitors reflect upon (and reluctantly admire) the use of technologies in contemporary warfare. The artist documented with seducing photo portraits and patient rubbings a series of weapons of mass destruction that were developed at the height of the Cold War &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-air-itself-is-one-vast-lib.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=CEIIMgT8H6U:2v_-oBgSkV8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=CEIIMgT8H6U:2v_-oBgSkV8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=CEIIMgT8H6U:2v_-oBgSkV8:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=CEIIMgT8H6U:2v_-oBgSkV8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=CEIIMgT8H6U:2v_-oBgSkV8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=CEIIMgT8H6U:2v_-oBgSkV8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=CEIIMgT8H6U:2v_-oBgSkV8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=CEIIMgT8H6U:2v_-oBgSkV8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/CEIIMgT8H6U" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/the-air-itself-is-one-vast-lib.php</feedburner:origLink></entry>

<entry>
    <title>#A.I.L - artists in laboratories, episode 30: Thomson &amp; Craighead</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/bjt4cSSwSLs/thomson-and-craighead.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11146</id>

    <published>2013-05-15T08:28:20Z</published>
    <updated>2013-05-16T15:26:09Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="life online" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/thomson-and-craighead.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0a00a0asi03-640.jpg"
width="640"
height="388"
alt="38k"
title="#A.I.L - artists in laboratories, episode 30: Thomson &amp; Craighead"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Today on ResonanceFM, Jon Thomson and Alison Craighead will be talking about how to handle and archive materials found on the web, the absence of any image documenting war in certain parts of the world, spam and other jolly subjects &lt;a href="http://we-make-money-not-art.com/archives/2013/05/thomson-and-craighead.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=bjt4cSSwSLs:J5NAuWH1JWU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=bjt4cSSwSLs:J5NAuWH1JWU:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=bjt4cSSwSLs:J5NAuWH1JWU:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=bjt4cSSwSLs:J5NAuWH1JWU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=bjt4cSSwSLs:J5NAuWH1JWU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=bjt4cSSwSLs:J5NAuWH1JWU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=bjt4cSSwSLs:J5NAuWH1JWU:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=bjt4cSSwSLs:J5NAuWH1JWU:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/bjt4cSSwSLs" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/thomson-and-craighead.php</feedburner:origLink></entry>

<entry>
    <title>Kit de Libertad de Expresión (Freedom of Speech Kit)</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/TsbQSJEqa8k/kit-de-libertad-de-expresion-f.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11142</id>

    <published>2013-05-13T10:51:39Z</published>
    <updated>2013-05-15T08:03:05Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="art in Madrid" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="social networking" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="software" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/kit-de-libertad-de-expresion-f.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0Prototyping_b-640.jpg"
width="640"
height="480"
alt="98k"
title="Kit de Libertad de Expresión (Freedom of Speech Kit)"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;KLE - Kit de Libertad de Expresión (or Freedom of Speech Kit) is a portable digital device that allows people from all over the world to participate to remote protests by sending and displaying text messages in public space. The interactive banner is (unsurprisingly) inspired by the record number of social protests that took place in Spain in 2011. It is estimated that over 23.000 demonstrations have been organised that year around the country &lt;a href="http://we-make-money-not-art.com/archives/2013/05/kit-de-libertad-de-expresion-f.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=TsbQSJEqa8k:qm9n8n-VeKM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=TsbQSJEqa8k:qm9n8n-VeKM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=TsbQSJEqa8k:qm9n8n-VeKM:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=TsbQSJEqa8k:qm9n8n-VeKM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=TsbQSJEqa8k:qm9n8n-VeKM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=TsbQSJEqa8k:qm9n8n-VeKM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=TsbQSJEqa8k:qm9n8n-VeKM:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=TsbQSJEqa8k:qm9n8n-VeKM:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/TsbQSJEqa8k" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/kit-de-libertad-de-expresion-f.php</feedburner:origLink></entry>

<entry>
    <title>In-Potentia, from foreskin cells to 'biological brain'</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/WT81bzZBdug/in-potentia.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11140</id>

    <published>2013-05-09T17:19:23Z</published>
    <updated>2013-05-13T11:38:42Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="bio" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="bioart" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="biotech art" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="body" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/in-potentia.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0a_MG_2141-640.jpg"
width="640"
height="960"
alt="118k"
title="In-Potentia, from foreskin cells to 'biological brain'"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;In-Potentia exposes, in the most limpid and absurd way, how science is blurring what we are used to regard as clear-cut categories, such as where life begins and ends or what constitutes a person. Or in Guy Ben-Ary's words:

What is the potential for artists employing bio-technologies to address, and modify, boundaries surrounding understandings of life, death and person-hood? And what exactly does it mean culturally, artistically, ontologically, philosophically, politically and ethically to make a living biological brain from human foreskin cells? &lt;a href="http://we-make-money-not-art.com/archives/2013/05/in-potentia.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WT81bzZBdug:8BsaZOFrRQA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WT81bzZBdug:8BsaZOFrRQA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WT81bzZBdug:8BsaZOFrRQA:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WT81bzZBdug:8BsaZOFrRQA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=WT81bzZBdug:8BsaZOFrRQA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WT81bzZBdug:8BsaZOFrRQA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=WT81bzZBdug:8BsaZOFrRQA:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=WT81bzZBdug:8BsaZOFrRQA:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/WT81bzZBdug" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/in-potentia.php</feedburner:origLink></entry>

<entry>
    <title>#A.I.L - artists in laboratories, episode 29: Furtherfield</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/Sml8QrBqIFo/ail-artists-in-laboratories-ep-24.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11141</id>

    <published>2013-05-08T07:20:58Z</published>
    <updated>2013-05-09T18:51:28Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="art in London" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="life online" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-24.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0tonio_roberts-640.jpg"
width="640"
height="321"
alt="39k"
title="#A.I.L - artists in laboratories, episode 29: Furtherfield"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Today i'm talking with artists, curators, writers Ruth Catlow and Marc Garrett. 16 years ago they founded Furtherfield, an organization with a very strong online and offline presence. Furtherfield.org is an online community where artists, theorists and activists meet and talk about art, technology and society but Furtherfield is also an art organization with a gallery located in Finsbury Park that invites the public to discover and reflect upon digital/networked media art and social changes  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-24.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Sml8QrBqIFo:8Tc6F0FomiU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Sml8QrBqIFo:8Tc6F0FomiU:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Sml8QrBqIFo:8Tc6F0FomiU:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Sml8QrBqIFo:8Tc6F0FomiU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=Sml8QrBqIFo:8Tc6F0FomiU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Sml8QrBqIFo:8Tc6F0FomiU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=Sml8QrBqIFo:8Tc6F0FomiU:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=Sml8QrBqIFo:8Tc6F0FomiU:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/Sml8QrBqIFo" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-24.php</feedburner:origLink></entry>

<entry>
    <title>Cultural Hijack</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/wqys4lmkA2k/cultural-hijack.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11137</id>

    <published>2013-05-07T17:19:48Z</published>
    <updated>2013-05-08T08:09:13Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="art in London" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="performance" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="street" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/cultural-hijack.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0_BGL_Chicha_Muffler_cab_image-Ben_Parry_9318-640.jpg"
width="640"
height="426"
alt="96k"
title="Cultural Hijack"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Cultural Hijack explores the role of art and the artist in contemporary society and offers the opportunity to rethink the growing field of intervention in relation to cultural activism and social change &lt;a href="http://we-make-money-not-art.com/archives/2013/05/cultural-hijack.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=wqys4lmkA2k:zeT_plzQ1oM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=wqys4lmkA2k:zeT_plzQ1oM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=wqys4lmkA2k:zeT_plzQ1oM:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=wqys4lmkA2k:zeT_plzQ1oM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=wqys4lmkA2k:zeT_plzQ1oM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=wqys4lmkA2k:zeT_plzQ1oM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=wqys4lmkA2k:zeT_plzQ1oM:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=wqys4lmkA2k:zeT_plzQ1oM:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/wqys4lmkA2k" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/cultural-hijack.php</feedburner:origLink></entry>

<entry>
    <title>Citizen Cyber Science projects: from virtual atom smasher to deforestation in tropical forests</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/LHNqwMI3EBc/citizen-cyber-science-project.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11139</id>

    <published>2013-05-06T14:03:33Z</published>
    <updated>2013-05-07T19:06:55Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="art in Madrid" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="life online" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="science" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="software" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/citizen-cyber-science-project.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0aaaaparcitl-large-640.jpg"
width="640"
height="480"
alt="78k"
title="Citizen Cyber Science projects: from virtual atom smasher to deforestation in tropical forests"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Daniel Lombraña González tells me about Citizen Cyberscience Centre, an international collaborative project that invites volunteers to help the scientific community develop a whole range of projects that include: identifying and marking deforested areas with high-res Earth imagery, researching the elusive Higgs particle with a virtual atom smasher, understanding the fundamental laws of the universe, or the secrets of magnetism at the molecular scale  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/citizen-cyber-science-project.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=LHNqwMI3EBc:YqlIsan4R_0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=LHNqwMI3EBc:YqlIsan4R_0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=LHNqwMI3EBc:YqlIsan4R_0:YwkR-u9nhCs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=YwkR-u9nhCs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=LHNqwMI3EBc:YqlIsan4R_0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=LHNqwMI3EBc:YqlIsan4R_0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=LHNqwMI3EBc:YqlIsan4R_0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.we-make-money-not-art.com/~ff/wmmna?a=LHNqwMI3EBc:YqlIsan4R_0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/wmmna?i=LHNqwMI3EBc:YqlIsan4R_0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/LHNqwMI3EBc" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/citizen-cyber-science-project.php</feedburner:origLink></entry>

<entry>
    <title>The Digital Now -  'Drones / Birds: Princes of Ubiquity' </title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/dHIRB2SajLY/the-digital-now.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11134</id>

    <published>2013-05-04T06:37:47Z</published>
    <updated>2013-05-06T15:23:47Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="art in Brussels" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="installation" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="life online" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="sound" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-digital-now.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0i8mecflies4f75-640.jpg"
width="640"
height="426"
alt="51k"
title="The Digital Now -  'Drones / Birds: Princes of Ubiquity' "
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Drones / Birds: Princes of Ubiquity taps into the debate of an increasing autonomous technology, connected to machinic vision, the post-human and the New Aesthetic. Core to the exhibition are digital artifacts and instances of the computational or digital in nature. Birds as objects reflecting our contemporary relation with technology  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/the-digital-now.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/dHIRB2SajLY" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/the-digital-now.php</feedburner:origLink></entry>

<entry>
    <title>#A.I.L - artists in laboratories, episode 28 (the London Hackspace)</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/stD1fOJYA-Q/ail-artists-in-laboratories-ep-23.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11136</id>

    <published>2013-05-01T07:29:57Z</published>
    <updated>2013-05-04T06:59:17Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="art in London" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="bio" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="biotech art" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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  &lt;a href="http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-23.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0i8hackspace02541bc-640.jpg"
width="640"
height="426"
alt="75k"
title="#A.I.L - artists in laboratories, episode 28 (the London Hackspace)"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Designers and biohackers Raphael Kim and Funk are in the studio with us today to talk about the London Hackspace, the largest hackerspace in the UK. Being part of this community obviously involves much coding but also laser cutting, soldering, drilling, woodworking, sewing, 3d printing, learning, tinkering, repairing and pizza eating. The space even welcomes a small bio-hacking lab &lt;a href="http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-23.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/stD1fOJYA-Q" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/05/ail-artists-in-laboratories-ep-23.php</feedburner:origLink></entry>

<entry>
    <title>Art &amp; the Oil giant, an interview with Liberate Tate</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/4O3nqVcjfCg/liberate-tate.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11135</id>

    <published>2013-04-26T12:35:48Z</published>
    <updated>2013-05-01T08:17:49Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="activism" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="art in London" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="green" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="performance" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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  &lt;a href="http://we-make-money-not-art.com/archives/2013/04/liberate-tate.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/0tate_audio02-640.jpg"
width="640"
height="959"
alt="122k"
title="Art &amp; the Oil giant, an interview with Liberate Tate"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;Today is the last day to witness the week-long performance from Liberate Tate at the Tate Modern gallery. Filming devices strapped on to their bodies, performers are reading aloud sections of the transcripts of the trial which started in February in New Orleans and sees BP stand accused of gross negligence over the Deepwater Horizon disaster, the largest accidental marine oil spill in the history of the petroleum industry  &lt;a href="http://we-make-money-not-art.com/archives/2013/04/liberate-tate.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/4O3nqVcjfCg" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/04/liberate-tate.php</feedburner:origLink></entry>

<entry>
    <title>#A.I.L - artists in laboratories, episode 27 (Adam Zaretsky)</title>
    <link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/Ftcj5C8K1l8/ail-artists-in-laboratories-ep-22.php" />
    <id>tag:we-make-money-not-art.com,2013://2.11133</id>

    <published>2013-04-24T05:09:57Z</published>
    <updated>2013-05-01T05:32:11Z</updated>

   
    <author>
        <name>Regine</name>
        
    </author>
    
        <category term="bio" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="bioart" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="biotech art" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="body" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://we-make-money-not-art.com/">
       
  
  
  
  
  &lt;a href="http://we-make-money-not-art.com/archives/2013/04/ail-artists-in-laboratories-ep-22.php"&gt;



&lt;img src="http://www.we-make-money-not-art.com/wow/1tu8549-640.jpg"
width="640"
height="960"
alt="84k"
title="#A.I.L - artists in laboratories, episode 27 (Adam Zaretsky)"
border="0" &gt;


&lt;/a&gt;
&lt;/span&gt;
&lt;div class="wow_exc"&gt;In this episode of #A.I.L., Adam Zarestky will be talking about what you can do with a preserved turd of William S. Burroughs but also eyeballs in armpits, ethics, biotechnological materials and ''Full Breadth Genetic Alterity &lt;a href="http://we-make-money-not-art.com/archives/2013/04/ail-artists-in-laboratories-ep-22.php"&gt;continue&lt;/a&gt; 
     




       
       
       
       
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/Ftcj5C8K1l8" height="1" width="1"/&gt;</content>
<link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><feedburner:origLink>http://we-make-money-not-art.com/archives/2013/04/ail-artists-in-laboratories-ep-22.php</feedburner:origLink></entry>

<entry><title type="text">Links for 2013-01-09 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/YaNQ8KtPtlo/regine" /><updated>2013-01-10T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-09</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://press.uchicago.edu/ucp/books/book/chicago/D/bo13183022.html"&gt;The Dawn of the Deed: The Prehistoric Origins of Sex, Long&lt;/a&gt;&lt;br/&gt;
In The Dawn of the Deed, he takes readers on an entertaining and lively tour through the sex lives of ancient fish and exposes the unusual mating habits of arthropods, tortoises, and even a well-endowed (16.5 inches!) Argentine Duck. Long discusses these significant discoveries alongside what we know about reproductive biology and evolutionary theory, using the fossil record to provide a provocative account of prehistoric sex. The Dawn of the Deed also explores fascinating revelations about animal reproduction, from homosexual penguins to monogamous seahorses to the difficulties of dinosaur romance and how sexual organs in ancient shark-like fishes actually relate to our own sexual anatomy.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/YaNQ8KtPtlo" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-09</feedburner:origLink></entry><entry><title type="text">Links for 2013-01-08 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/z6GHSdETrSs/regine" /><updated>2013-01-09T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-08</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.thefoxisblack.com/2013/01/07/skating-inside-a-whale-a-project-by-lescaut-architecture-be-weinand/"&gt;Skating Inside A Whale: A Project by L&amp;rsquo;Escaut Architecture &amp;amp; BE Weinand | The Fox Is Black&lt;/a&gt;&lt;br/&gt;
skating rink inside whale-shaped building. wow! was this really built in fugly Liège?&lt;/li&gt;
&lt;li&gt;&lt;a href="http://jmcolberg.com/weblog/2013/01/review_uber_grenzenon_borders_by_ostkreuz_agency/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+jmcolberg%2Fconscientious+%28Conscientious%29&amp;utm_content=Google+Reader"&gt;Conscientious | Review: &amp;Uuml;ber Grenzen/On Borders by Ostkreuz Agency&lt;/a&gt;&lt;br/&gt;
members of German photography agency Ostkreuz decided to turn their attention to borders, literal and metaphorical ones: Über Grenzen/On Borders. Seventeen photographers went out to explore the concept, ranging from the very personal to what one might consider the standard photodocumentarian approach. Border are what separate us, borders are what we can consider transcending (the German “über Grenzen” actually has two meanings: “on borders” and “across borders”).&lt;/li&gt;
&lt;li&gt;&lt;a href="http://artthreat.net/2013/01/orwell-1984-penguin-pearson/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+artthreat+%28Art+Threat%29&amp;utm_content=Google+Reader"&gt;1984 is blacked out in a graphic tribute to George Orwell | Art Threat&lt;/a&gt;&lt;br/&gt;
Designed by David Pearson, each book has a unique, typography-focused layout. It is the cover of 1984, however, that really stands out. Using matt black foil over debossed type, Pearson symbolically censored the title and author, leaving just enough of a faint hint for a reader to identify the book.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/z6GHSdETrSs" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-08</feedburner:origLink></entry><entry><title type="text">Links for 2013-01-07 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/istypGzHdQo/regine" /><updated>2013-01-08T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-07</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://streetmuseumofart.org/beyond-banksy/"&gt;Beyond Banksy: The Street Museum of Art - The Street Museum of Art&lt;/a&gt;&lt;br/&gt;
Beyond Banksy is an exhibition of a select group of artists working in a variety of mediums throughout London — from sculpture, print and painting to installations, mosaics and miniature wheat pastes. Their styles are unique and vary greatly — giving each of them a signature aesthetic and allowing their work to become easily recognizable and familiar. The only thing that each of these artists share in common with one another is their use of the urban environment as a platform, enabling the public to see and interact with their work. The city is their primary medium. Via rebel:art&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.phototvdd.be/index.php?/serie/dampremy/"&gt;strangely dampremy :&lt;/a&gt;&lt;br/&gt;
the kind of landscape (and face-scape) where i grew up. via the VERVE blog&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/istypGzHdQo" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-07</feedburner:origLink></entry><entry><title type="text">Links for 2013-01-06 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/4O_BufES9ns/regine" /><updated>2013-01-07T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-06</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.geek.com/articles/geek-cetera/scientists-create-projectile-vomiting-robot-named-vomiting-larry-2013013/"&gt;Scientists create projectile vomiting robot named Vomiting Larry | Geek-Cetera | Geek.com&lt;/a&gt;&lt;br/&gt;
The robot is named Vomiting Larry, and isn’t being used for sight gags, but is helping scientists to better understand the spread of noroviruses, also know as the winter vomiting bug, which can cause projectile vomiting, diarrhea, nausea, and loss of taste. Noroviruses are transmitted directly between people via aerosolization — having physical substances emit particles that float around in the air — and indirectly by contaminated consumables like food and water. When humans throw up, aerosolization takes place, and thus, Vomiting Larry was born so scientists can study human vomiting without, you know, humans vomiting.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.guardian.co.uk/world/2013/jan/05/pamplona-spain-banks-homes"&gt;Pamplona's locksmiths join revolt as banks throw families from their homes | World news | The Observer&lt;/a&gt;&lt;br/&gt;
Tired of accompanying court officials to evict unemployed people as banks foreclosed mortgages, De Carlos consulted his fellow Pamplona locksmiths before Christmas. In no time at all, they came to an agreement. They would not do the dirty work of banks whose rash lending pumped up a housing bubble and then, after it popped, helped bring the country to its knees.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/4O_BufES9ns" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-06</feedburner:origLink></entry><entry><title type="text">Links for 2013-01-04 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/YfE2IJA08l8/regine" /><updated>2013-01-05T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-04</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.artdaily.org/index.asp?int_sec=2&amp;int_new=59920#.UOaleLby62w"&gt;It's 'cash only' now for tourists at the Vatican; not yet complied with safeguards against money laundering&lt;/a&gt;&lt;br/&gt;
The Corriere della Sera newspaper reported that the Italian central bank took the action because the Holy See has not yet fully complied with European Union safeguards against money laundering. That means Italian banks are not authorized to operate within the Vatican, which is in the process of improving its mechanisms to combat laundering.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.e-flux.com/announcements/free-ipad-app-sampler-of-issue-152/"&gt;free iPad app sampler of issue 152 | e-flux&lt;/a&gt;&lt;br/&gt;
Now available for iPad, the frieze app contains specially commissioned films, audio clips and slide-shows, as well as all the regular frieze features and reviews enhanced by additional visuals. Exclusively commissioned content for the January/February issue of the app includes a video interview with legendary avant-garde filmmaker Jonas Mekas.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.aestheticamagazine.com/blog/mikhail-karikis-seawomen-at-arnolfini-london/"&gt;Mikhail Karikis: SeaWomen at Arnolfini, Bristol | Aesthetica Blog&lt;/a&gt;&lt;br/&gt;
Mikhail Karikis’ new film and sound installation SeaWomen, focussing on a vanishing community of elderly female sea workers living on the North Pacific island of Jeju. The work depicts the community of working women called ‘haenyeo’, all now aged between 60 and 90 years old, who dive to great depths with no oxygen supply to catch sea-food, collect seaweed and find pearls.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/YfE2IJA08l8" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-04</feedburner:origLink></entry><entry><title type="text">Links for 2013-01-02 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/gFlLelZ1SFI/regine" /><updated>2013-01-03T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-02</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://jawnesny.pl/2012/12/its-about-people-not-about-systems-an-interview-with-tale-of-tales-michael-samyn/"&gt;&amp;quot;It's about people, not about systems&amp;quot;. An interview with Tale of Tales&amp;rsquo; Micha&amp;euml;l Samyn | Jawne Sny&lt;/a&gt;&lt;br/&gt;
To encourage videogames to evolve as a medium, and not remain simply a hobby or a pastime, it would be helpful to have the sort of criticism that can make distinctions. Embracing everything stifles change. In a climate where big budget corporate blockbusters invariably receive great „critical” acclaim, it is not easy for sincere authors to remain motivated to create art in this medium. Especially since art usually doesn’t sell well, at least not in a mass market.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/gFlLelZ1SFI" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-02</feedburner:origLink></entry><entry><title type="text">Links for 2013-01-01 [del.icio.us]</title><link rel="alternate" type="text/html" href="http://feeds.we-make-money-not-art.com/~r/wmmna/~3/93XpkCyYk5g/regine" /><updated>2013-01-02T00:00:00-08:00</updated><id>http://del.icio.us/regine#2013-01-01</id><content type="html">&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.guardian.co.uk/world/2013/jan/01/benito-mussolini-rehabilitation-italy"&gt;Benito Mussolini: a dictator for all seasons in Italy? | World news | guardian.co.uk&lt;/a&gt;&lt;br/&gt;
Reverence for Il Duce, who adorns calendars and T-shirts, is spreading from neo-fascist youths to the Italian mainstream&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/wmmna/~4/93XpkCyYk5g" height="1" width="1"/&gt;</content><feedburner:origLink>http://del.icio.us/regine#2013-01-01</feedburner:origLink></entry></feed>
